Skip to content
Independent opera companyBarcelona
Scene from the flamenco production El llanto
An Òpera Popular de Barcelona production

Federico García Lorca · Enrique Granados · A production by Jaume Villanueva

Llanto por Ignacio Sánchez Mejías

Lament for Ignacio Sánchez Mejías: flamenco and death on stage
FormatLive dance, music and flamenco song
Running time90 min · no interval
CompanyFour performers
TouringAvailable for booking
Our interpretation

Lorca’s elegy becomes an experience of flamenco, dance, song and live music.

The production

Words, song and movement build a ceremony in which beauty coexists with loss. Enrique Granados’s music meets coplas and flamenco forms as a weary bullfighter leads a young tavern boy towards a tragic destiny.

JV

Stage world

Poetry, ritual, art and flamenco

An intimate, hand-crafted production in which Lorca moves through body, music and silence.

The production at a glance

Llanto por Ignacio Sánchez Mejías

01

Essential flamenco

One singer, two dancers and a piano create the performance with immediate theatrical truth.

02

Images of a world

A church, a bullring, a tavern and moonlit pasture evoke the bullfighting landscape of the early twentieth century.

03

Proven history

More than one hundred performances, two Barcelona seasons and appearances at Madrid’s Teatro Español.

Artistic and touring profile

A production made to travel

Artistic team

Concept and direction
Jaume Villanueva
Choreography
Nacho Blanco · Frederic Gómez
Music direction
Rafael Plana
Costumes
Miguel Guri
Literary adviser
Josep Arias Velasco
Original production
Octubre Teatral

Touring formats

Original cast

Juana García ‘La Gitana Catalana’, Nacho Blanco, Frederic Gómez and Rafael Plana.

Intimate format

Four performers: flamenco singer, two dancers and piano with percussion.

Adaptability

Highly flexible for different spaces; the rider describes the optimum, not the minimum.

Stage and technical

Optimum stage

6 m proscenium opening × 5 m depth.

Instrument

A baby grand piano is preferred; upright is also possible.

Sound

8–10 channels from stage to control and 4 return channels.

Touring formats

A production made to travel

Ask Joan Romaní, Head of touring and bookings, about formats, availability and booking terms.

Òpera Popular de Barcelona
Privacy Overview

This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.