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Director’s notes · CarmenI killed her because she was mine
Carmen read as the chronicle of a gender-based crime, between the tablaos of La Rambla and the bitter Barcelona of the 1960s.
Read the article ↗02
Director’s notes · La traviataBeauty and its price
The refined perversity of a world that turns Violetta into an object and victim of its social mechanisms.
Open Jaume’s page ↗03
Open notebookWhy popular opera?
A future piece on bringing opera closer without simplifying it and building an audience that feels part of the stage.
Open Jaume’s page ↗